Lending my voice to these poems on classical statuary made me feel in some ways a participant in the survival of such a profound, tragic and influential civilization as was the ancient.

—Franco Nero

The characters Gabriele Tinti draws from the Greek myths, the muses, the slaves, enable ‘the actor’ to inhabit the essential struggle of what it is to be human, like a Noh play, doomed to repetition and the transcendence gained from it, to be human under the burning sun, which both gives life and destroys...

—Marton Csokas