Ruins
GABRIELE TINTI
The characters Gabriele Tinti draws from the Greek myths, the muses, the slaves, enable ‘the actor’ to inhabit the essential struggle of what it is to be human, like a Noh play, doomed to repetition and the transcendence gained from it, to be human under the burning sun, which both gives life and destroys...
Ruins gathers a series of writings in the form of verses, fragments, and short essays that Gabriele Tinti has dedicated to the “living sculpture of the actor”.
The poet moves from the tragic sense of death and vacuity which afflicts even those masterpieces we wish eternal, with the aim of giving new life and thought to Graeco-Roman statuary, to all those relics of a now-lost humanity.
GABRIELE TINTI
The characters Gabriele Tinti draws from the Greek myths, the muses, the slaves, enable ‘the actor’ to inhabit the essential struggle of what it is to be human, like a Noh play, doomed to repetition and the transcendence gained from it, to be human under the burning sun, which both gives life and destroys...
—Marton Csokas
Ruins gathers a series of writings in the form of verses, fragments, and short essays that Gabriele Tinti has dedicated to the “living sculpture of the actor”.
The poet moves from the tragic sense of death and vacuity which afflicts even those masterpieces we wish eternal, with the aim of giving new life and thought to Graeco-Roman statuary, to all those relics of a now-lost humanity.